Lybi Cucurullo: Bird’s Eye View | ATHICA @ Ciné Gallery
- 234 W Hancock Ave., Athens, GA 30601
- Dates: February 14, 2026 - February 25, 2026
- Recurrence: Recurring weekly on Sunday, Monday, Tuesday, Wednesday, Thursday, Friday, Saturday
- Location: ATHICA: Athens Institute for Contemporary Art
*ATHICA is on hiatus from November 24, 2025 - February 13, 2026, except for special events as scheduled. (See Calendar: https://athica.org/events/) The next exhibition will open on February 14, 2026.
ATHICA@Ciné Gallery presents “Bird’s Eye View," a collection of abstracted landscapes created by Lybi Cucurullo, that formally sit somewhere between painting and sculpture. The works have 2-dimensional elements combined with sculptural features. Cucurullo examines the mysterious 3-dimensional shapes formed by bird murmurations. She then dissects and compresses those forms onto individual planes of plexiglass using ink. These stand alone or overlay oil painted landscapes and topographies. Her creative process mirrors her concept: the free, expressive way she applies oil paint is balanced by the analytical challenge of deconstructing and translating 3D bird formations into flat, 2D compositions. Even in its form, the work explores contrast and balance.
*ATHICA is on hiatus from November 24, 2025 - February 13, 2026, except for special events as scheduled. (See Calendar: https://athica.org/events/) The next exhibition will open on February 14, 2026.
ATHICA@Ciné Gallery presents “Bird’s Eye View," a collection of abstracted landscapes created by Lybi Cucurullo, that formally sit somewhere between painting and sculpture. The works have 2-dimensional elements combined with sculptural features. Cucurullo examines the mysterious 3-dimensional shapes formed by bird murmurations. She then dissects and compresses those forms onto individual planes of plexiglass using ink. These stand alone or overlay oil painted landscapes and topographies. Her creative process mirrors her concept: the free, expressive way she applies oil paint is balanced by the analytical challenge of deconstructing and translating 3D bird formations into flat, 2D compositions. Even in its form, the work explores contrast and balance.
